Musing that “there is no need to live in a big city,” the lean 31-year-old discusses his work from his atelier in Lantejuela, a village of some 3,800 residents about an hour’s drive from the southern city of Seville.
Sketches and fabric samples cover one table while wedding dresses are piled high on another in a room decorated with family photos. His three employees, all local residents, are busy cutting fabric. Going back to set up his studio in his village, which asparagus farms surround, is part of a global trend.
A combination of the pandemic, shifting attitudes and technological advances that make it easier than ever to work remotely, are prompting waves of people to move out of large cities and permanently relocate to more sparsely populated areas. After studying at Milan’s prestigious Istituto Marangoni, Montenegro worked for four years at Italian fashion house Dolce & Gabbana where he dressed big names, including Madonna, Beyonce, Kylie Minogue and Melania Trump.
In 2018, he moved to Barcelona to work at Yolancris, where he designed the spectacular pleated tulle dress worn by Spanish urban music singer Rosalia to the Latin Grammys that year. But when the pandemic hit in March, and a strict national lockdown was imposed in Spain, Montenegro decided to move back to Lantejuela to be closer to his father; who had cancer and passed in November after catching Covid-19.
On(line) The Runway
Encouraged by his father, Montenegro launched his brand and first collection of wedding dresses called Abril, or “April”.
His sober, elegant gowns, which mix vintage classics with a bold splash of exquisite cotton lace and dramatic bows have sold in Spain, Britain and Greece for 2,500 euros ($3,000) apiece.
Right now, Montenegro is currently preparing an autumn/winter ready-to-wear collection. This time, he draws inspiration from the exotic tapestries decorated with tigers, deer and peacocks that his father brought back after his military service in Western Sahara in 1971, at the time a Spanish colony.
Montenegro plans to promote his collection in Madrid and online, a medium that has more scope than traditional fashion shows that “are over very quickly”.
“You don’t have time to enjoy it, and then everyone forgets,” he added. “I launched the wedding dress collection online, I made promotional footage, and each dress had its own video,” said Montenegro, calling this approach much more “functional”.
His venture has boosted the local economy, which has been hit hard by the pandemic despite being home to generations of expert seamstresses who make flamenco dresses and children’s clothing.
“He is helping us a lot because there is nothing else” here, said Estefania Ponce, a 38-year-old mother who works at the atelier. Unlike his Spanish peers who have found success abroad with unisex clothes for men, Montenegro—who as a child liked dressing dolls—focuses on women’s fashion.
He says his role model is his friend Alejandro Palomo, the 28-year-old designer behind the famous Palomo Spain brand which mixes Spanish traditions with modern twists. Palomo also has an atelier in Posadas, located about 75 kilometres (45 miles) from Lantejuela. Thanks to him, Spanish designers “are once again being looked at abroad,” said Montenegro. “Without the village, we would be nobody.”
This article was published via AFP Relaxnews